I was so
captivated by the Cathedral stations of Seattle
artist JOAN BRAND- LANDKRAMER that I decided to root through the air and
see if I could find more of her art. Low
and behold, before the very modern stations, she did some lovely, very
traditional icons, for the Cathedral.
Despite
her prolific output, Joan calls herself a late bloomer. Icons are steeped in
mysticism, she says, and she is “just getting the hang of it.”
The
icons, based on traditional Russian iconography, represent the central
mysteries of faith and the feasts of the Church year.
Annunciation |
People
and things she loves and is moved by make their way into her creative process. Other
parishioners and family members appear. Joan hopes these images may one day
serve history as records of St. James Cathedral and its community at the turn
of the twenty-first century.
The first
icon Joan “wrote” for the Cathedral was the Icon of the Annunciation of the
Lord. Mary turns from her work (she
holds a spindle) to receive the message of the angel. Local details are incorporated into the
classic style of the icon: an image of
St. James, the Cathedral’s patron, and of the Cathedral towers, in the upper
right-hand corner.
Pentecost |
Joan' s Pentecost icon shows some familiar faces among the assembled apostles. Archbishop Thomas Murphy, Father Ryan (Cathedral pastor) who sits among the apostles, and Dr. James Savage (music director) are all pictured.
Other
icons incorporate portraits of parishioners at St. James and leaders of the
Church in Seattle
and beyond. In this icon of the
Exaltation of the Holy Cross, you can find Bl. (Mother) Teresa of Calcutta, St.
Frances Cabrini, and St.John Paul II, as well as some of our past bishops:
Archbishop Brunett, Bishop George Thomas, Archbishop Murphy. Father Ryan is Constantine, with his real-life mother next to him.
Each
Sunday, one of the icons is carried in procession at the Cathedral, and placed
on a stand for viewing by the faithful.
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ReplyDeleteThese paintings are neither lovely, nor traditional, nor are they icons. They are self-indulgent, self-expressive, blasphemous perversions, and the opposite of what iconography is and stands for.
ReplyDelete