For years I
have admired the artwork of DANIEL
MATSUI, and recently a friend in
On his
website Daniel,writes: I combined
iconographic elements from the Immaculate Conception and Our Lady, Undoer of
Knots with decorative elements from the art of the Native Americans of the
Its shape suggests a copper shield. In the border, pairs of animals approach
Noah’s
The figure of Mary is dressed similar to a statue in the church, but carrying
the Christ Child in a sling. She stands on a crescent moon, a snake underfoot,
with twelve stars about her head. The Greek nomina sacra inscriptions
are abbreviations for Jesus Christ and Mother of God.”
The piece is beautifully framed and will have a pride of place in our chapel. One has to see it in person to appreciate the colors and details. Daniel is noted for his fine work which is reminiscent of medieval art. He says he draws inspiration from Gothic illuminated manuscripts, painting and tapestries. While his work is collected around the world, I wish it was more widely known on our country. Heaven knows we need more truly good art in our Churches today.
Daniel earned
an undergraduate degree at
In 2004, he was received into the Church at the Easter Vigil. This motivated him to revisit his interest in religious art. His mother had been raised Catholic, but he was never baptized.
“Even
though I didn’t have any real religious formation or catechism that
endured, there was some exposure to the Mass—not regular but some
exposure and I had the idea that the Catholic faith was the one true faith. That experience of the liturgy also formed a
connection in my mind between medieval art and the Catholic faith. Those were
strongly associations which maybe wouldn’t have been if I had more of
a typical parochial upbringing in the 1980s and 1990s.”
Once can
certainly see an Asian influence in his art. His paternal ancestors came to the
Daniel has a very Benedictine approach to selling his art. “I like to sell directly to people and price my art in such a way that I can attract patronage from ordinary people. I like to see my work in homes and I don’t want to play the games where I get gallery representation, set my prices at an unbelievably high level, and expect to sell one or two pieces a year—if I’m lucky.” Almost all his art is I privately commissioned.
Speaking
about Our Lady of
(Image used with kind permission of artist)
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