In our first Blog on Black Madonnas, we mentioned that the dark skin color is often due to smoke from candles lit by pilgrims, as well as oil lamps. It can also be due to the effects of oxidation on the original colors. In Byzantine art, especially in icons, the oxidation of the silver leaf, used for the face of the Madonna, darkens the pigments, making them black.
But
in some cases, especially in countries such as Africa or South America, the
Virgin has been depicted with features
close to those of the local people. For me the best example is OUR LADY OF
GUADALUPE, who Hispanics refer to as “La Morenita”- the dark-faced one.
Her complexion is mestiza (i.e., mixed races), a combination of Mexican
and Spanish. She is not black, like so many of the famous madonnas. Rather her brown skin tone reflects the peoples in the land in which she appeared.
The
apparitions to Juan Diego in 1531 were seen only
ten years after the conquest of central Mexico by the Spanish, at a time when
the indigenous people of the Americas were devastated.
The
idea of a brown-skinned Mother of God, was critical to the eventual conversion
of millions of indigenous people to the faith.
Unlike most Black Madonnas, she is not holding the Christ Child, but rather is pregnant with Him. Is this why we keep her feast in the middle of Advent? With us today, she is awaiting the birth of the Savior.
“The message of Our Lady of Guadalupe helped
to build bridges between cultures and worlds and began the transformation of
our continent into a Christian continent of hope,” said Supreme Knight Carl
Anderson, executive producer of the film. “The apparition helped to unite the
entire continent in a way that didn’t exist before. Through her intercession,
then and now, those throughout this hemisphere have found a deep and shared
sense of faith, hope and identity.”
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