Annunciation with Knitting |
Recently,
I came across another unusual, but wonderful artist. ANTHEA CRAIGMYLE's
childhood years were spent in the rambling old vicarage overlooking the Thames
on Chiswick Mall, London.
Growing up in a large family, she and her siblings spent their time exploring
the area. With the onset of WWII, Anthea was shuttled between London and the country in an effort to
protect her from the bombings, many of which she experienced while sleeping in
the vicarage cellar among young Jewish refugees and neighbors. During her
school years, Anthea had the good fortune to be taught by two remarkable
teachers: first, Mrs. Henry Moore and then later, Kathleen Richardson, who
nurtured Anthea’s growing capacity for visual description from imagination. At 17 she attended Chelsea
School of Art and later traveled to India
where she met and later married her husband.
Painting
has always been an essential element of her daily life. The imagery of much of
her painting throughout the 50’s and 60’s was drawn from childhood memories;
neglected churchyards, gardens, and parks she associated with her experiences
of WWII and her paintings frequently portrayed a somber mood.
Bringing in the Cattle |
Recently,
Anthea has returned to the Chiswick Mall where she paints in a studio not far
from her childhood home. She frequently visits and paints the West Highlands
where she finds inspiration.
"The
clean, romantic quality of her work is evocative both, immediately for what
they show the eye, and more subtly in a dream-like, mystical way for what lies
beyond. Anthea says, “I see everything in pictures. The muddle or chaos of war
and indeed of war-lives means, I think, that I’m always trying to create
order.” This gives her paintings the quality of a glance - sometimes amused -
into a secure and, perhaps idealized, vision of the world. Her work is a
powerful reminder that the spirit and essence of life never really changes".
In doing
research on her life, I found her husband, Thomas Donald Mackay Shaw, more
famous than Anthea. He was born in 1923, and became the third Lord Craigmyle on
the death of his father in 1944. From his mother, the daughter of the first
Earl of Inchcape (eminent ship owner and chairman of P & O), he came into
an enormous fortune. He also inherited her wealth of gentleness and charm. It was
said of him that he was blessed by a total absence of snobbery.
St. Francis & the Birds |
In 1955
he married Anthea, the gifted artist daughter of the High Anglican Canon Edward
Rich.
In 1956
both came into the Catholic Church. Their marriage was a loving, successful
partnership in every sense.
They had four sons and three daughters. Lord
Craigmyle is best
remembered for his generosity, to not only the Church, but to his family and many
friends. He died
in London in
1998 and Anthea returned to the area of her childhood, where she paints to this
day.
Highland Sheep |
I love her use of colors which at times blends into her shapes, giving that dream-like quality. In many of her paintings, one can almost reach out and touch the animals. My favorite is St. Columba in his garden in Scotland.
Hello--
ReplyDeleteAnthea is an old friend, and I would love to know how to contact her. Can you help? I used to live with her late daughter ALison.
Susan Morrison, The New Yorker
susan_morrison@newyorker.com