During the
weeks of Advent I thought it might be fun to check out some Catholic artists
who were well known in their day and perhaps not so much today, but who knew the spirit
of Advent - of expectation.
Sketch for Annunciation |
In 1890 he
declared that painting is “basically a flat surface covered with colors
disposed in a certain order,” a credo taken up by later Modernists. Maurice would
later adopt a more “classical” style after a sojourn in Italy , always
believing art should “express the mysteries of the Faith clearly in the play of
forms and colors.”
The Annunciation at Fiesole |
A devout Roman Catholic, he was single-minded in his effort to renew
French church art, which had degenerated in the 19th century into what was
dismissively called the “Saint-Sulpice style,” after the Paris quarter,
specializing in kitsch plaster saints and devotional items.
Together with
Painter Georges
Desvallieres, he founded Ateliers d’Art Sacre in 1919 to teach
young artists to create works “that serve God, the teachings of the truth and
the decoration of places of worship.” Maurice himself, made canvas paintings and
wall murals for over 15 churches across France .
The Catholic Sacrament |
A devoted husband and father, the artist often used his beloved first wife, Marthe, and their six children as models, placing sacred figures in settings from his daily life in Saint-Germain-en-Laye, the Breton seacoast, where the family spent their summers, or an Italian villa they had visited in
French Dominican Friar Marie-Alain Couturier,
a onetime Ateliers student and leading proponent of Modernist sacred
art, said that Maurice was the painter of “the sweet presence of God in our
life.”
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