ANGEL
ZARRAGA was born in 1886 the son of the physician Dr. Fernando
Zárraga and his wife Guadalupe Argüelles in the Barrio de Analco of Durango , Mexico .
While attending the Escuela Nacional Preparatoria in Mexico City,
he made his first contacts with the prevailing artistic and intellectual scene,
and later studied at the Escuela Nacional de Bellas Artes.
Following
his studies and with the support of his family he left for France where he
would remain for over thirty years. While in France
he painted murals in the Castle of Vert Coeur and, in 1927, decorated the Mexican
Legation in Paris .
He visited and
exhibited in Spain, France and Italy. He also visited
courses at the Royal
Academies for Science and the Arts of Belgium.
In 1906 he
exhibited some of his pictures in the Museo del
Prado, and in 1907 in an exhibition of the ENBA. He participated in
the 1909 Biennale di Venezia and exhibited in the
Salon at the Piazzale Donatello, Florence.
In 1911 he moved to France
for good, and he only returned to Mexico once at the outbreak
of World War II for a short time.
Annunciation |
From 1914
Zárraga painted in a Cubist style but after 1921 his work was influenced
by Cézanne and Giotto. Zárraga breaks from representational painting by identifying spheres
and cones of light rather than two dimensional planes. The formal composition
is further enhanced by the use of bright blues, greens, yellows, and reds. Each
field of color thus represents a separate plane.
As a result
of the collapse of the international art market he lost his sponsors and became
depressed. During World War II he returned to his home
country in 1941, where he painted murals at the Club de Banqueros and
in Monterrey Cathedral.
Assumption of the Virgin Mary |
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